ghosts of dis lyf
Benji Knewman
Volume 9
“Anton Belov. I Am So Post-Post, I Am So Meta-Meta”
“Benjamin Kajems. A Jew and His City”
Volume 8
“Post-Soviet Man. A Year of Understanding”
Volume 6
“We need to talk about the Nipple”
“Art for Art’s Sake”
Volume 5
“Mapping the Territory”
Volume 4
Interview & photography & cover with Mikhail Baryshnikov
Volume 2
”Living in the Matrix”
Arterritory.com
From Selfie to Self-Expression at the Saatchi Gallery, London
Screens are the new walls
“No pašbildes līdz pašizteiksmei”
Saači galerija, Londona SW3
“artist-as-curator”
Mākslinieks kā kurators
Sometimes walls can say more than the audience expects them to
Reizēm sienas var pastāstīt vairāk, nekā mēs sagaidām
Authenticity of a Work of Art in the Age of Mechanical Reproduction
Autentisks mākslas darbs reprodukciju laikmetā
| The Importance of Punk in Visual Cultures |
| Pretoties un nepārdoties! |
| Art As a Simulation: Nothing New |
| Māksla kā simulācija: nekā jauna |
| The Disgusting, The Formless and The Abject in Art |
| Riebīgais, bezformīgais un abjektīvais mākslā |
| The “Adoration of the Magi” and the Giving of Christmas Gifts |
| Zintnieku pielūgšana un Ziemassvētku dāvanas |
| Harlem Vogue: Work. Paris. Dupree |
| Hārlemas VOGUE – deja kā dzīvesveids |
| Art Within the Context Of the Artist |
| Māksla mākslinieka kontekstā |
| Lisjēns Freids. Portretu glezniecības naratīvs |
Keith Coventry on How to Be a Good Artist
Avenir Magazine
Artist of the Week: Vika Anisko
FrontRow
Frieze Art Fair 2014